Friday, March 30, 2012

Eye to Eye With Nature

As I was editing more pictures of us feeding the elk, I noticed how often we were making eye contact with the animals. I thought to myself that this is probably part of why it touched us so much to interact with them. There is just something so profound about looking animals in the eye and having them return the favor.

The Provincetown School of Vehicular Cycling

We often take daytrips to the Cape in the summer, but avoid Provincetown, because it is both too far and much too crowded. However, last week we stopped by. For those unfamiliar with the area, Provincetown is a lively and quirky town at the very tip of Cape Cod, long associated with the arts and with freedom of sexual expression. The main street is lined with galleries, coffee houses, excellent restaurants, eccentric shops, theaters, piano lounges and dance clubs. Rainbow flags are aflutter. Tourists pose to have their pictures taken with drag queens. Ocean waves rise picturesquely in the background. Everything is relaxed and easy; everyone gets along.



We arrived with our vintage 3-speeds and found the town center absolutely packed. The photos don't capture this, but many parts of the long and narrow Commercial Street were filled shoulder to shoulder with pedestrians and bumper to bumper with cars. It did not look like we could walk through the center, let alone cycle. And yet, the place was full of cyclists. They were riding in both directions through the narrow street, blithely passing the slow cars and the meandering pedestrians with dogs and strollers. We got on our bicycles, and what an educational experience it was.



Imagine: Cars pay attention to bicycles and wait for them without getting angry about it. Drivers and passengers look before opening the doors of parked cars. Cyclists are non-belligerent. Phrases such as "Please, go right ahead!" and "Oh, sorry about that!" and "Thanks!" and "Hey, nice bike!" can be heard all around instead of what is normally shouted in Boston. Can this be Vehicular Cycling Heaven? Cycling in Provincetown - both through the center and through the wider roads with higher speed limits - has made me feel considerably more comfortable about sharing the road with cars.



We did not take many bike photos, but here are a few bicycles spotted in town. A colourful Electra Amsterdam with nice wicker panniers and a sunflower on the handlebars. I believe it belongs to a local painter.



And here is a Rivendell Rambouillet by the marina, complete with fenders, Brooks saddle, rack, lights, and handlebar bag. The owner was pleased and amused that I recognised his bike.



And finally, a solution to the "control issue" in tandem cycling: The Buddy Bike! Now both riders can feel like captains - though I assume this can only be done if the riders are roughly of the same weight.



For more about cycling in P-Town, read about Vee's bike date at Suburban Bike Mama.

French Onion Soup


French Onion Soup, originally uploaded by ParsecTraveller.

After seeing some great recipes for French onion soup, I decided to try my hand at the dish. The end product was a success!

The soup was actually very easy to make - it just took a while to cook the onions.

Anybody have experience with French onion soup?

Thursday, March 29, 2012

International Woman's Day - On Bicycle

[image via Miami University Russian Studies Department]

In honor of March 8th, International Woman's Day, I give you "Collective Farm Woman on Bicycle" by my favourite Soviet painter, Alexander Deineka.

["Woman Riding a Bicycle with Grasses" by Jerry Cooke ]

... and a real Soviet "commuter" farm woman from 1960. Too bad this holiday is neglected in the USA. In Vienna I got flowers!

The Best 5.6 Climbing in the Gunks



(In the photo: climber reaching the optional hanging belay point at the end of pitch two of Madame Grunnebaum's Wulst)

You don't see too many blog posts about 5.6 climbs.

What kind of climbing blogger admits to being excited about 5.6?

Well, 5.6 is the first GREAT grade at the Gunks. There are many 5.6 climbs to get excited about. I would argue that 5.6 is one of the premier grades at the Gunks. There are more world-class Gunks 5.6's than 5.7's. And although 5.8 is also a great grade at the Gunks you could easily make the case that 5.6 is even better.

So here are some of my favorites, and these are not just climbs that top out at 5.6, but also a few 5.6 pitches that you'll find on some harder climbs. I am not writing guidebook entries here, so I do not intend to help you find the climbs or describe every single detail. Rather, I hope to explain to you why you should like them as much as I do.

THE BIG THREE

Any discussion of 5.6 at the Gunks has to contend with the three consensus bests. People travel long distances to the Gunks just to tackle these classics. They are so well-known, I probably don't even have to name them. They are High Exposure, Shockley's Ceiling, and Madame Grunnebaum's Wulst (popularly known as Madame G's). I'm not about to tell you that these beloved classics stink. But I do have some opinions about them that may buck the conventional wisdom just a bit.

High Exposure

High E is extremely popular. Every time I am nearby I find it occupied. I frequently see newcomers fumbling about trying to locate the start of the climb, clearly on a mission that depends wholly on climbing this one route. A couple weeks ago, when we had a brief spell of perfect June weather, I took a day off from work and visited the Gunks on a weekday. My partner and I had our pick of routes. Very few climbers were about and no one was waiting for anything. But High E? When we walked by it had two parties at the base lined up to climb it.

In order to climb High E you have to be prepared to wait for it. Is it worth the wait?

I would say it is, but I also think it can't possibly live up to the hype. It is overrated. The first 5.4 pitch from the ground to the GT ledge is perfectly pleasant but totally unremarkable. The second pitch has the big move out onto the face, which is not physically challenging. There is a great vertical crack for a sidepull and bombproof gear; you just have to lean out (this is the mental crux) so you can look up and locate the jugs above. This mental crux is the moment that makes the climb's reputation, and it is very good. The rest of the pitch consists of about 40 feet of moderately overhanging jug pulling. It is a nice pitch, and it is in my opinion a great early 5.6 lead despite the "+" in the official rating, since the juggy climbing resembles gym climbing, and the pro is abundant. There's a good horizontal for a cam wherever you want one. But it isn't my choice for best 5.6 in the Gunks.

Shockley's Ceiling

In contrast, Shockley's does live up to the hype. At least the third crux pitch does. The first two pitches are easy throwaways. But the last pitch, which ascends through the improbable ceiling, then moves up a left facing corner to another crux at a small overhang, is worth all the accolades. This is another 5.6 that, despite appearances, is a great climb for newish 5.6 leaders, since there are three pins right below the crux crack, and you can put a perfect #2 Camalot into that crack and feel completely secure that if you blow the ceiling you won't be falling far. Once you're past the ceiling, you can bask in the glow of your accomplishment while you cruise up to the second crux, and then you have to focus again (think layback) to finish it off. This final pitch alone makes Shockley's Ceiling a worthwhile adventure but you can make it even better. If you do Strictly From Nowhere (5.7) up to the chains for your first pitch, then diagonal up right for an easy, short second pitch to the belay below the ceiling, and then finish on Shockley's, you've done one of the very best moderate climbs at the Gunks, regardless of grade.

Madame G's

Madame G's is, in my opinion, the best overall 5.6 at the Gunks. The first pitch is easy (5.4) and short; it really isn't the attraction, and if you're up to leading 5.8, the first pitch of Columbia just to the left is a wonderful way to get up to the ledge where the real business of Madame G's starts. And once the business starts, you'll find you're in for a real treat. Pitches two and three are both relentlessly steep, with great holds. I like to combine these two pitches and ignore the hanging belay in the middle, but beware of drag on this wandering route. The pumpiness increases as you get towards the top and you do not want to have to struggle to pull up your rope as you get close to the anchors. So long as you watch the drag, this route is a joy the whole way; I call it the best because it offers such consistent high-quality steep climbing.

THE OTHER BESTS

Maria

Beyond the three "bests" are many other highly rated 5.6 routes, and some that should be more highly rated than they are. Maria is a route that gets three stars in Dick Williams' latest guidebook, but I think the initial traverse pitch is underrated, and the third pitch is often ignored by climbers unaware of its true location or even of its existence. (The most recent guidebook to the Gunks places this third pitch in the wrong location, on a "mud slope" to the left of the real route.) If you do the whole route I think Maria rivals Madame G's for the title of best overall 5.6. It certainly outshines Madame G's in its variety.

The first pitch climbs the best part of Frog's Head (5.6-), going up a thin vertical crack that takes nuts like a dream. Pull the crux move past a bulge (great fun), then take the no-worries traverse to the right with great gear to the corner. Pitch 2 heads straight up the corner to the GT ledge. This pitch is rated 5.6+ and it is also consistent fun. There is no cruxy moment, but you may at times have to think a little and use opposition to move upward. Finally, from the top of pitch 2, move right until you are below a right-facing corner capped by a roof about 20 feet up. This roof problem, also rated 5.6+, is a wonderful sandbag. I don't think this is a pitch for the new 5.6 leader; it is short but not easy. There is a good crack for gear in the roof but it is thin and in my experience makes the small cams placed there hard to evaluate. You also move left out the roof and a fall might be a little ugly even if the gear is good. There is no denying, however, that the climbing here is excellent.

Put it all together and you get crack, bulge, traverse, corner, and roof climbing, all in one route, and all at 5.6. Pretty amazing.

Baby

Baby is another of my favorite 5.6s. it gets two stars from Williams but I would argue for three. It has two excellent pitches, the first with a short off-width that seems to freak people out, and the second ascending a nice corner to a cool 5.6 roof. With regard to the off-width: I don't intend to help you climb it. There are several different ways to solve it. But I will give you one bit of advice. Bring a big cam. A #5 Camalot is good; I know this from experience. A #6 would probably be even better. With a big cam you can protect the off-width a few crucial feet higher than you could with a #3 Camalot. And then you'll be set.

Moonlight

Moonlight gets only one star from Williams. I would argue for at least two. It is another great climb, with a mental crux that in my opinion requires a much bigger gut check than the move on High E. Pitch one is a pleasant, long climb up a prominent corner to the GT Ledge. Pitch two climbs an easy ramp-like feature until you find yourself in a corner with a roof over your head. To escape from the corner, you must commit to the overhanging left wall, on tiny feet, and pull yourself around to the left, all the while hoping you'll find some holds over there once you escape the roof around the outside corner and onto the main wall. Oh, and you have to make this move with just a piton for pro. When I did it, I also managed to work a shallow nut into a seam, but I wasn't fooling myself; the nut was junk.

Once you commit to heading around the corner and you get a good stance, the pitch isn't over. There's still good climbing up a crack to the finish. A very exciting pitch for the grade.

GREAT 5.6 PITCHES IN HARDER CLIMBS

Bloody Mary

This climb has a great face-climbing first pitch that used to be rated 5.6. (Williams now rates it 5.7.) But the second pitch is still considered 5.6 and there is no other 5.6 like it. It involves climbing up to the left end of an overhang and traversing about 10 feet in a VERY overhanging position to the right, until it is possible to head upward on good holds. Then it's an easy romp to the GT Ledge. This pitch is one of the few that is easier for short people. It is strenuous, but the holds and pro are great. Skip pitch 3, it stinks.

Bold-ville

I would guess that most people do the excellent 5.8 first pitch of Bold-ville and then set up the chain anchor above all the harder Seasons climbs, skipping the fun second pitch of Bold-ville. This is a shame. Somewhat similarly to Bloody Mary, the 5.6 second pitch of Bold-ville involves a steep hand traverse around a corner, this time in the opposite direction, to the left. The horizontal crack/shelf you follow provides good hands and pro the whole way.

Directissima

Another way to get to the GT ledge on the High E Buttress, Directissima is a climb of great variety and another good candidate for best moderate climb in the Gunks. Partially this is because of the fun 5.8 crack on pitch one and the scary, pumpy 5.9 traverse on pitch two, but mostly it is because of the unique beauty of the 5.6 third pitch, which follows the point of the arete all the way to the GT Ledge. The pitch starts out steep, but as you climb the angle eases off and soon you are free to just take in the surroundings from your perch at the tip of a triangle sticking out from the main cliff of the Trapps, with terrific views in both directions. And once you reach the GT Ledge you get to finish it off with the crux pitch of High E.

Basking Ridge

This climb is listed in the most recent Williams guide to the Nears as a link-up of two old classic climbs, Baskerville Terrace and Yellow Ridge. The first pitch, which is the first pitch of Baskerville Terrace, is a great, pretty stiff 5.7. The 5.6 second pitch goes to the right on a ledge about 10 feet below a pair of pitons that make up an optional belay station on Baskerville Terrace. Follow this ledge to the right into a left-facing corner, and then a perfect, rising hand- and foot-rail will take you to the right to the outside corner and around to a stance. This rising traverse takes good gear and features great exposure, and when you're at the stance around the outside corner you just head straight up through the awesome 5.6 roofs on the final pitch of Yellow Ridge. A great and unique 5.6 pitch in the Nears, and one of my favorites in the Gunks.

Wednesday, March 28, 2012

Tail Lights and Auto Settings

What do you think of using bicycle lighting with automatic sensory settings? Several of our bikes are equipped with lighting systems that allow for this, but I have mixed feelings about the auto-mode.



Last week the Co-Habitant installed the Spanniga Pixeo tail light on his bike (very thorough review of this lighthere) and set it on auto. Cycling together later that evening, I switched my own lights on when dusk fell. As I rode behind him, his Pixeo tail light would switch on and off in response to slight changes in lighting conditions. For example, as we entered a stretch of road with fewer trees, it would switch off; then on again when the trees became more dense. Not only did I find this annoying while cycling behind someone, but I was also surprised that the light did not "think" it was dark enough to just stay on the entire time. It wasn't quite pitch black, but getting there. I wonder how the settings are configured, and whether they can be adjusted.



I have an auto ("senso") feature on my Busch & Muellerdynamo lighting as well, that I sometimes use and sometimes do not. Because this system includes a headlight, I can tell whether the auto mode is performing the way I want it to. If it gets dark but my headlight does not automatically turn on (which means the tail light is not on either), I will just switch it to the permanent "on" position. With a battery-operated tail light like the Pixeo and others, there is no way to get this feedback. Since you can't see you own tail light while cycling, you have to be confident that its "idea" of when's dark enough is the same as yours. For me that is not always the case with the lighting I've tried, which is why I am not that crazy about auto settings. What has been your experience?

Tuesday, March 27, 2012

Assateague Island :: Adieu

It was with some degree of sadness that I bid farewell to Assateague on Saturday morning (October 24th). It had been so peaceful and quiet the previous four days but when Friday evening arrived so did more people. The campground loop where I was staying, which had been nearly vacant, was now filled with weekend visitors. The spell was broken, it was time to go. Besides, rain was in the forecast for the next few days!

The golden glow of the sunset over the marsh. My last night at Assateague.

Not as colorful as the morning's sunrise had been, but quite lovely. Indeed.

Monday, March 26, 2012

Bald Eagle on the bay



Just a quick post today to share a few images of the Bald Eagle that was perched across the road from my driveway. It was kind of a rainy day, and this eagle sat out there for about an hour.



Saturday, March 24, 2012

Cats Christmas

The dogs have been taught not to tear up anything so they didn't want to open their gifts but the cats didn't hesitate when offered the chance of opening gifts and playing in gift wrap paper.















































































Friday, March 23, 2012

New Beach Finds

I didn't see any jellyfish when we first arrived here. This week, they are everywhere! You have to really watch where you step when walking on the beach. They are so cool to look at but I don't care to make contact!

Wednesday, March 21, 2012

Arlington :: Tomb of the Unknown Soldier

The Changing of the Guard.
Impressive. Meticulous. Solemn. Ceremonial.
Photos taken Sunday October 11, ..





Thursday, March 15, 2012

Hyak Nordic ..

Jennifer and I went out to Hyak Sno Park to ski again. She had a good time last time and she is eager to get some type of exercise while pregnant. Fortunately Nordic Skiing is pretty low impact, and we went to Hyak due to the extreme flatness of the trail. (It is a converted railroad grade.) Jennifer is concerned about falling on anything remotely hilly, so the flat trails fit the bill.

Momma zipping along

Conditions were windy when we got out of the car. Not surprising being at a mountain pass and near a five mile long lake. I was wishing I had brought more clothing. We both started out with our poofy jackets on and eventually stopped to take them off once we had warmed up. I went considerably faster than Jennifer, but kept checking on her to make sure she wasn't overdoing it. We got a special treat in that the track got groomed while we were there. Although truthfully the track was in pretty good shape prior to the grooming. It would have been more special if we were skate skiing.

Along the lake

At some point Jennifer decided it was a good time to turn around. I told her I was going on further and would catch her before the car. I probably went about a half mile further before turning around. I was slowed by seeing someone I knew and chatting for bit. But I did catch Jennifer with at least a half mile to go before the parking lot. I think I did about six miles total.

This was a fun outing and Jennifer is caused less pain from skiing than walking. She is having fun getting exercise, and her exercise level had picked up since we started skiing because the pregnancy usually causes her to lose steam when walking.

On the road to Cayo Coco: Cuba espresso stop and the causeway

When you are driving for longer hours you need some caffeine to keep awake and concentrate on the road. So we decided its about time for another stopover, and this time we want to take some of the famous Cuban espresso. We found this roadside ‘comida’ restaurant and they are selling Cuban coffee for CUC$1.











Done with the coffee (so little in a big glass) and we have 2 more hours to go to reach the keys!



Then we finally reached the causeway to Cayo Coco. This reminds me of the causeway to Marken (Netherlands). Now this man-made causeway linking mainland Cuba to the Cayos (keys) is approximately 27 kilometres long. The whole thing is so cool considering that Cuba is a relatively poor country, they still managed to build this up.







We are almost there!


Upright Mammals

Upon returning to the city and getting on my Gazelle again, I was surprised by how different the cycling experience felt from being on my Rivendell.



Normally, I ride both bicycles regularly, so the switch back and forth does not feel remarkable. But after having cycled solely on a roadbike for three weeks, I almost felt as if I had to forcefully uncurl my spine as I transformed from a quadruped to a biped.



While we were away, the Co-Habitant teased that I would get accustomed to using a roadbike for transportation and would probably just keep doing it when we got home - after all, it's faster. But it soon became clear that when it comes to upright bicycles, absence made the heart grow fonder. (Now, if I can just stop trying to use the non-existent bar-end shifters on my poor Dutch bike!)



I think that as upright mammals, we are accustomed to seeing the world from the vantage point of bipedalism and we feel the most relaxed when adopting that posture.It is only natural that people prefer to remain upright when moving through their environment - whether on foot, or on bike, or on public transport. While upright bicycles may not be appropriate for sport or long distance travel, their importance in the realm of "normal cycling" cannot be overstated. Most people considering a bicycle for transportation do not see themselves as "cyclists". They want to be their usual selves, except on a bike. I think the ability to remain an upright mammal is crucial to retaining one's inherent sense of self while cycling for transportation.